Bryan Robinson has written a highly readable, yet exceedingly specific and "hands-on" training book for the treatment of children of alcoholics. He is able to capture their specific clinical problem areas, and to give step by step instruction in ways to intervene. His description of the use of groupwork has been invaluable to this clinician, both in my own clinical work, and in my role as teacher to other clinicians.He is also able to incorporate the research of other pioneers in this field in in order to substantiate his ideas

Here is a terrific reference resource for anyone who frequently composes letters, e-mails, reports, etc. That is, for just about everyone. Even with various aids provided within software (eg to correct spelling), basic mistakes of grammar go undetected...and "send the wrong message" (both literally and symbolically) to recipients of what you write. Inside the front cover, the authors provide an especially handy detailed index (for questions concerning writing, grammar, effective sentences, diction, punctuation, and mechanics as well as glossaries of usage and terms) which directs their reader to the appropriate page or pages in the Handbook; on the back inside cover of the book, they then provide an equally handy list of checklists (also with page references) followed by a list of revision symbols. There are several such reference resources which will serve you well. In my opinion, this is the most comprehensive...and the easiest to use on a regular basis. I also urge you to check out Strunk & White's The Elements of Style and Stephen King's On Writing.

my 8 year old borrowed this book from the library & now wants his own copy. as much as he enjoys the summer (he practices the tips on his skateboard), he is looking foward to the winter to try out the snowboarding tips from the book.

I had only been re-born for four months when God took Rich Mullins home, yet he continues to be used by God even after his death. Almost exactly a year after my rebirth, while listening to some Rich Mullins music, my wife realized she had a religion, not a relationship. And, even though he had passed from this world, Rich's music played a part in my wife coming to know Christ as both Lord & Savior. 'An Arrow Pointing to Heaven' continues God's use of Rich Mullins' life. Not only is it biographical, it is devotional. Although I ripped through its pages in one day, I have gone back on numerous occasions, even using some of his illustrations in the pulpit, perhaps to lead another lost soul to Christ. It saddens me to know I will never get to see Rich in concert. At least I, and any who read this book and listen to the included cd, will get to look inside the man who was caught in the reckless raging fury of God's love. May you be so consumed!

More than a biography of Rich Mullins' life, this book is an exposition on the love of God. Smith uses Mullins' life, legacy, music and writings to illustrate the ovrewhelming expanse of God's love.

I read with a highlighter in hand and almost every page is marked with gems and key points that I will want to use as illustrations. In fact, there could be a complete series of Bible studies on the love of God using the chapter titles of this book as session topics.

This book helped me to see clearly the struggles I have with investing in people only as long as they respond to my investment. A clear explanation of unconditional love challenges that approach to ministry.

For those who love Rich Mullins' music and those who have (unbelieveably) never heard of Rich Mullins, this book is a key theological statement.

Unlike many other biographies of public figures who died young, Rich Mullins: An Arrow Pointing Towards Heaven by James Bryan Smith is a moving celebration of the man Rich Mullins. It also reflects the ideals he held dear.

One such ideal is simplistic living. Mullins firmly believed that all he had belonged to God. So he lived with few material possessions and was happy to share what little he had. Despite his success, for the last several years of his life, he hired an accountant to give him a stipend... and gave away the rest of his earnings to deserving charities.

Smith, a veteran writer, was also a close friend of Mullins for many years. When Mullins moved to Witchita, Kansas, in the early 1990s to earn a music education degree from Friends University, he lived in the attic apartment of Smith's house for three years.

The Mullins family asked Smith to write the book, because he knew Mullins so well. Because of Smith's friendship with Mullins, readers will enjoy how he shares Mullins with the public. He relates not only the highlights of Mullins' life, but also the struggles.

Even as a close friend, Smith did not rely on his experience alone to write this biography. He interviewed 40 of the people who knew Rich best-both friends and family. Their stories-as well as the words of Mullins himself that Smith culls from interviews, lyrics, and stage recordings-add to the breadth of the book.

Reading Rich Mullins: An Arrow Pointing Towards Heaven gives you a greater knowledge of the life of one amazing man. It also encourages you to live a life abandoned to the "reckless raging fury that they call the love of God."

Burrough and Helyar are two former Wall Street Journal reporters who present a comprehensive telling of the battle for control of RJR Nabisco, ultimately won by KKR, led by Henry Kravis in 1988. The book was written in 1990 and provided the final chapter on the LBO excesses of the 1980's. By 1990, the stock market rally had made LBO's less attractive and some of the earlier deals were already starting to unravel and collapse under the weight of the debt payments, as predicted by long-time junk bond critic and rival RJR Nabisco bidder Ted Forstmann.

There are some criticisms of this book. The authors, despite their finanical backgrounds, seem to prefer story-telling to financial details. Hence, they have written a tale of personalities, with an especial interest in Ross Johnson and Henry Kravis, to the detriment of really explaining the financial and business details. The reader can learn intricate details about Johnson and the Wall Streeters preferences in cars, apartments, drinks, wives, schoos, etc. The authors seem to think we need a biographic account of all minor players, starting with their grade-school years, and the end result is 528 pages and still minimal financial explanation.

The other main criticism here, reading this now, is how dated the material has become. The authors would do well to provide some new material on how the deal has worked out. From other sources, I learned that KKR renegotiated the deal in the early 1990's (the resets were nearly toxic after all) and sold out their position entirely in 1995, more or less breaking even, depending on whose numbers you use.

The story of the final bids and the final final bids is truly riveting and meticulously researched here. The Johnson group ultimately presents a bid that is slightly higher than the KKR bid, but the board discounts the Johnson bid since it does not guarantee the bond pricing, and calls the whole thing a tie, much like the 2000 election. At that point, the Board accepts the KKR bid, for non-economic reasons, mostly bad publicity related to Johnson's greed. Ironically, Johnson had already given up much of his payout in order to boost the total value of the bid to the shareholders.

The dot-com stock market insanity of 1999, followed by the dot-bomb fall in 2000, is eerily mirrored in this book from a decade earlier about big money, big egos, and raging insanity.

Burroughs and Helyar tell the story of the leveraged buyout of RJR Nabisco in gripping fashion, showing how greed and shortsightedness contributed to the biggest and worst-managed corporate takeover in history. The players: Salesman F. Ross Johnson of RJR vs. Henry Kravitz of KKR. Everything from a wild, rip-roaring potboiler novel is here: Secret deals, stock market manipulation, flouting of laws, surprise plot twists. All of it almost unbelievable, but all of it true.

The next time you wonder about how people could have been taken in by internet companies with insane stock prices who blew through venture capital as if it were funny money, read this book. It's well worth your time, effort, and energy.

This book is a description of the largest leveraged-buy out of the 80's. The book covers the management buy out of RJR and all the financial moves that took place to get it done. It covers the winners and losers and the tactics they used. The authors are investigative reports so they have the ability to provide the reader with a very well constructed and easy to understand story. They really bring the reader into the negotiations and all the high pressure and tension is coved to the reader. The most fun was when the authors took to describing all the financial players involved, their egos and ways of life and doing business. The excesses of some of the companies detailed are really something.
If you are interested in this topic then I would suggest you also read "Den of Thieves" and "Predator's Ball", both of which cover the 80's M&A and Junk Bond world. To get a better understanding of KKR, I would suggest "Masters of Debit" and if you are looking for more info on this particular deal I would suggest "True Greed".

You do not need to be an artist in the sense of a gifted painter, sculptor, writer, musician, etc. to enjoy this book. We are all artists in that each of us designs, creates and shapes our own future. We make the choices that will determine where our paths will lead. The only limitations we have are those we place on ourselves.

Julia Cameron makes the journey a little smoother by helping us rid ourselves of life's negative emotions - fear, jealousy, guilt, limited beliefs, etc. While the book makes interesting and insightful reading, I think it is important to be committed to completing all the exercises for maximum benefit. The author does touch on spirituality and makes reference to God in several instances; however, whatever your own personal beliefs, the reader can easily adapt the material written here to any spiritual belief, regardless of what "Higher Power" you believe in.

Two other books which I highly recommend are "You Can Heal Your Life" by Louise L. Hay, and "What's Next: Women Redefining Their Dreams in the Prime of Life", by Rena Pederson. Both are excellent books.

This 229-page book is actually a course to free your creativity. The entire course is based upon the principle that the artist must have faith to be creative. It is the author's conviction that the Creator encourages creativity in all people.

The book is broken down into twelve weekly lessons. There are several miscellaneous sections. Each weekly lesson has tasks and exercises to be completed. Sidebars provide quotes and tidbits of information to uplift the soul. The divisions of the manual are as follow:

In the introduction, the author explains how she began teaching and eventually developed her seminars and lectures into a book.

Spiritual Electricity: The Basic Principles defines the ten spiritual principles, gives directions for using this course, and tells the reader what to expect from the course.

The Basic Tools introduces the two primary tools of the course: the morning pages and the artist date. The morning pages are three handwritten pages, penned in stream-of-consciousness, without looking back at the previous pages. The artist date is time set aside to be spent with your inner artist. There is even a creativity contract.

Week 1: Recovering a Sense of Safety deals with realizing what negative beliefs and hurts from the past are blocking or restricting your creativity and replacing them with positive affirmations.

Week 2: Recovering a Sense of Identity begins with a section called "Going Sane." It deals with the people you surround yourself with in life and how they exert negative influence over your creativity.

Week 3: Recovering a Sense of Power leaps right into anger management, shame, and dealing with criticism. It examines how most people are afraid that there is a God watching everything we do.

Week 4: Recovering a Sense of Integrity is about learning to distinguish between the mask you wear for the public and your real inner feelings. There are exercises in learning what you really want from life and in sensory deprivation.

Week 5: Recovering a Sense of Possibility begins with the following sentence: "One of the chief barriers to accepting God's generosity is our limited notion of what we are in fact able to accomplish." This lesson teaches us to break through those barriers.

Week 6: Recovering a Sense of Abundance will have you tossing out clothing and gathering rocks. It teaches us that there is abundance in our lives and that our creativity requires its own portion of luxury.

Week 7: Recovering a Sense of Connection covers jealousy, perfectionism, risk, and learning to listen to our inner artist.

Week 8: Recovering a Sense of Strength teaches us to turn loss into gain by metabolizing the pain into energy. There is an exercise to help the artist break out of the early patterning; to overcome the negativity of childhood.

Week 9: Recovering a Sense of Compassion deals with avoiding self-defeat and learning to logically deal with fears.

Week 10: Recovering a Sense of Self-Protection enlightens us about the spiritual demons we create to battle our creativity: workaholism, fame, competition, and drought.

Week 11: Recovering a Sense of Autonomy focuses on how to handle success, how to nurture the inner artist, and the connection between nurturing the inner artist and self-respect.

Week 12: Recovering a Sense of Faith reminds us of the pitfalls to our creativity and helps us learn to have faith.

The book ends with sections on questions and answers, creativity clusters, and forming a sacred circle.

Every artist should own a copy of this book and utilize it religiously! It is the kind of manual that can be used over and over again for continual growth. I highly recommend it and feel it is a vital tool for personal creative expansion.

"The Artist's Way" is a book that will help to free and activate your creative energy. Author Julia Cameron outlines a twelve-week program to clear away the self defeating "editor" that sits on your shoulder, whispering in your ear, reinforcing all the doubts and fears that inhibit your creativity. After reading this book you will feel energised to write, paint, sew, sculpt, dance, sing or to follow whichever path your creative spirit chooses. This is a very spiritual book in a non denominational way! I personally like the way the author connects creativity to spirit. I have always believed that ideas and inspiration and intuition are spirit and that spirit propels us to create. The activities in this book will free you from the self defeating thoughts that hold back the flow of your creativity. The rewards are great. The act of creating connects you with your innermost feelings. If this sounds too "fuzzy-warm" for you, consider that allowing yourself time to be creative is very healthy. It's probably the best thing you can do for yourself. It will relax you and transcend all stress and worry. The author has written a valuable book. Consider reading it. It will strengthen and enrich you.

Black's is widely regarded as the ultimate authority for the definition of legal terms. I bought the leather-bound version on the first day of law school, but never used it once. (A law student can get by with a paperback legal dictionary.) However, I HAVE used this book as a practicing attorney. I once used it as authority in a brief, and the judge actually relied on the Black's definition to justify his order in my favor.

Know of of a lawyer (whom does not already have this indespenseable tool) or of a person heading to law school; then you should buy this book for them, i.e., Black's Law Dictionary by Bryan A. Garner (Editor), et al. The reference book starts out with a pronunciation guide; preface (which is very well written indeed); guide to dictionary; list of abbreviations; dictionary; seven appendixes, legal maxims, the constitution of the united states of america, universal declaration human rights; time chart of the united states supreme court; federal circuita map; british regnal years; list of works cited. The price is abit steep ... but it is well worth its price.

A professional who works with attorneys and needs to understand certain legal concepts and terminology, I have found "Black's Law Dictionary" a most useful tool. It defines legal terms in such a clear and concise way that I don't need legal dictionaries designed for the "layman." Whenever I want to understand a new legal term, I pick up this book and acquire a basic understanding within just a minute or so.

Most attorneys already have familiarity with this book. I highly recommend "Black's Law Dictionary" to the layman.

I bought this book while I was moving from a point and shoot to a SLR. Its been close to 21/2 years now and I can now say confidently that this book has been the MAJOR reason for improvement in my technique and quality of my photographs ( as remarked by friends and family). Here is what I learnt from this book...

1) Mainly, I feel an overpowering sense of joy and enthusiasm as I hold the camera in my hands, thanks to Bryan Peterson. From a hobby, it almost becomes an obsession as I read through his various photographic exploits.

2) I understood the principles of "correct" exposure, a term that is highly debatable. I learnt the basic principles of
a) Shutter speed
b) Aperture
c) Film
which he calls photographic triangle. I learnt how to expose for a starting aperture and then from that point on, he guides you to explore different settings to achieve specific results. Along with these techniques, you will learn a little about
i) Light meters
ii) Quality of light (sidelighting, backlighting etc)
iii) Depth of field
iv) Close-ups
v) Freezing the action, blurring the subject, panning, implying motion
vi) Print v/s slides etc.

3) He rarely lays out rules. He stresses out the importance of trying out different styles and techniques and one can see from the 147 beautiful and stunning pictures, the variety of shots that one can try. For each of his pictures, he gives out a brief introduction regarding time of day, location etc, followed by important technical details like the shutter speed used, aperture used, film speed, focal length etc. I find myself, sometimes, just flipping through the pages, and trying to estimate the shutter speed,aperture and focal length used , just by looking at the picture and not looking at the text and after the estimate, comparing my estimate with the one actually used. I find this habit really useful, because the next time I see a sunset, snowfall, or waterfall, I instantly have in my mind the shutter speed, aperture etc, to begin with. Just the fact that you actually know what you are doing when you operate the camera, give you so much more confidence.

4) Amazing consistency in technique. Pretty much for every photograph in the book (147 of them, in all), he begins by taking an accurate starting exposure. In fact, I now feel, that this technique alone, if learnt well, will improve the quality of your photographs 100 %! Then he explains the reason behind each (shutter speed + aperture) combination. I have found this consistency missing in other books that I have read (I have easily read more than 30 books cover to cover by now). Other books, that I have read, tend to approach each scenario (like a sunrise, sunset, cloudy weather, bright sunlight, indoor scenes etc) as a separate technique, which is kind of confusing. The result of this consistency is that, you would be quite confident while approaching different subjects that you see in daily life.
Also he does not throw in special accessories that might confuse people into thinking that good photographs are not possible without them. I see that a lot in other books. Examples of accessories are
i) different kinds of fancy flashes
ii) Filters
iii) spot meters etc.

5) I would pay 5 times the amount of the book, just to learn the above points. I have spent 5 times that amount, by going to photography courses and let me tell you I did learn some fine points here and there, but without the basic and solid background that this book provides, those points would have just been lost on me. Just to be complete in this review, besides the three fundamental elements (shutter speed, aperture and film), he explains
a) Tungsten balanced film
b) Pushing and pulling film
c) Multiple exposure and deliberate under and over exposures
d) Bracketing
e) Small section on filters

6) Finally I learnt much to my satisfaction that
a) Creative photographers are not born. Like any other form of art, it's directly related to your effort and your ability to learn from your mistakes.
b) It is wise to waste film rather than to waste a moment.
c) Even professionals like Bryan Peterson himself, get only 3 "zingers"(strong photographs) in a roll! So, that fact alone should be proof that practically everyone will continue to be beginners in this fine art and the terms expert, intermediate are all very relative terms. Looking back at my collection, I can safely discard majority of my pictures, since I now know what to look for!

Bryan Peterson has been and will continue to be my "virtual" guru! I think this book belongs in every aspiring photographer's collection.

Finally, a list of the few areas that this book does NOT address (but which can be found in other books) are:

1) Equipment details like
a) how an SLR works and functions
b) different kinds of lenses available(zoom, macros,standard etc) and their working
c) brand comparisons (like canon v/s nikon) etc. though he does compare brands of slide and print film.

2) Darkroom techniques - developing your own negatives etc.

3) Black and white photography techniques

4) Digital photography comparisons/techniques.

5) Creative techniques (rules!) that will be found in most books like golden mean, rule of the thirds, framing, crosslines etc. But this is fully justified, with what I mentioned earlier, that there are no "rules" laid out. This book is more about shooting from the heart rather than mind.

I am an amature who has been struggling for years. I have never taken a photography class, therefore, had little basic knowledges about photography. I bought this book because my biggest problem was "what is the right exposure?". After several weeks of fascinating reading, my pictures have totally improved, they now have a consistency in quality, that professional look I have always dreamt of. I have read other photography books before, but most of them try to tell you everything, therefore have no focus, and only make you more confused; In contrast, this book only tries to teach you the basic in a very easy to understand and progressive structure. First you learn about exposure, then aperture, then shutter speed, and film speed and special effects at the end. Most of my old problems were resolved, how to take pictures in snow, how to make super long(hour long) exposures, how to make everything crisp clear..... I urge any amatures who have been taking pictures for a while, but have not yet gained a strong grip on this subject to read this book. Only one reminder: no matter how good a book is, if you don't practice hard, you still can't take good pictures.

Problems: This book was written 10 years ago, a lot have changed since; The author tried to make everything really clear, so there are some excessive explanations and repetition. ...

I bought this book while I was moving from a point and shoot to a SLR. Its been close to 21/2 years now and I can now say confidently that this book has been the MAJOR reason for improvement in my technique and quality of my photographs ( as remarked by friends and family). Mainly, I feel an overpowering sense of joy and enthusiasm as I hold the camera in my hands, thanks to Bryan Peterson. From a hobby, it almost becomes an obsession as I read through his various photographic exploits.
Here is what I learnt from this book...

1) Principles of "correct" exposure, a term that is highly debatable. Learnt the basic principles of
a) Shutter speed
b) Aperture
c) Film
Learnt how to expose for a starting aperture and then from that point on, he guides you to explore different settings to achieve specific results. Along with these techniques, you will learn a little about
i) Light meters
ii) Quality of light (sidelighting, backlighting etc)
iii) Depth of field
iv) Close-ups

v) Freezing the action, blurring the subject, panning, implying motion
vi) Print v/s slides etc.

3) The book rarely lays out rules. He stresses out the importance of trying out different styles and techniques and one can see from the 147 beautiful and stunning pictures, the variety of shots that one can try. For each of his pictures, he gives out a brief introduction regarding time of day, location etc, followed by important technical details like the shutter speed used, aperture used, film speed, focal length etc. I find myself, sometimes, just flipping through the pages, and trying to estimate the shutter speed,aperture and focal length used , just by looking at the picture and not looking at the text and after the estimate, comparing my estimate with the one actually used. I find this habit really useful, because the next time I see a sunset, snowfall, or waterfall, I instantly have in my mind the shutter speed, aperture etc, to begin with. Just the fact that you actually know what you are doing when you operate the camera, give you so much more confidence.

4) Amazing consistency in technique. Pretty much for every photograph in the book (147 of them, in all), he begins by taking an accurate starting exposure. In fact, I now feel, that this technique alone, has improved my photographs a great deal . Then he explains the reason behind each (shutter speed + aperture) combination. I have found this consistency missing in other books that I have read (around 15 books now). Other books, that I have read, tend to approach each scenario (like a sunrise, sunset, cloudy weather, bright sunlight, indoor scenes etc) as a separate technique, which is kind of confusing. The result of this consistency is that, you would be quite confident while approaching different subjects that you see in daily life.

Just to be complete in this review, besides the three fundamental elements (shutter speed, aperture and film), he explains
a) Tungsten balanced film
b) Pushing and pulling film
c) Multiple exposure and deliberate under and over exposures
d) Bracketing
e) Small section on filters

I think this book belongs in every aspiring photographer's collection.

Finally, a list of the few areas that this book does NOT address (but which can be found in other books) are:

1) Equipment details like
a) how an SLR works and functions
b) different kinds of lenses available(zoom, macros,standard etc) and their working
c) brand comparisons (like canon v/s nikon) etc. though he does compare brands of slide and print film.

2) Darkroom techniques - developing your own negatives etc.

3) Black and white photography techniques

4) Digital photography comparisons/techniques.

5) Creative techniques (rules!) that will be found in most books like golden mean, rule of the thirds, framing, crosslines etc. But this is fully justified, with what I mentioned earlier, that there are no "rules" laid out. This book is more about shooting from the heart rather than mind.

It is said that truth is better than the best fiction. Bryan Burrough's "Dragonfly" proves that it's true. A blow-by-blow account of the Shuttle/Mir missions, "Dragonfly" roars along like a Tom Clancy thriller. We meet bumbling politicians, Machiavellian NASA administrators, egotistic astronauts, martyred cosmonauts, and clueless ground-support crews, American and Russian alike. Parenthetically, it's a wonderful comparison of the cultures of these space superpowers, and why International Space Station missions may have some built-in psychological risks.

(Aside: considering the top-heavy committment and involvement of the United States, the "international" space station is about as "international" as an International House of Pancakes.)

A must-read for anyone interested in space exploration. Especially a must-read for anyone unfortunate enough to have paid money for astronaut Jerry Linenger's book, "Off the Earth -- Surviving five perilous months aboard Mir." The reader may judge for himself the "peril" involved, especially in light of the dangers faced by Linenger's successor on Mir, astronaut Michael Foale.

If anything, Burrough is perhaps too balanced and fair-minded in his prose. One suspects he had reams of material he couldn't use, as it would make the book more of a "kiss-and-tell" than it actually is. Nevertheless, some of the finest reporting about NASA (and public policy as a whole) in years.

This book documents the middle of the MIR/NASA joint program. Lots of detail. Highly critical of NASA politics and management. The author has interviewed many of the people involved and gained access to a great many documents. The non-chronological ordering makes the reading unnecessarily difficult.

The picture provided is of a joint venture that was primarily politically motivated with scientific research, and even crew, as after thoughts. It is implied that NASA learned little from the experience because they weren't watching closely. Which is too bad if true because what can be learned is the importance of attention to minute detail and extensive planning.

The dramatic discription of the various accidents on MIR makes exciting reading. The view given of political manipulation in NASA's management and the bitter and acrimonious personal conflicts are disturbing (but interesting to read).

The insight into political chicanery in NASA management is alarming for the space program if accurately portrayed.

Brian Burrough's DRAGONFLY covers the entire "Phase One" program to put NASA astronauts aboard the Russian space station Mir in the mid 1990s. The project was fraught with problems and near-disasters, and it is an example of how not to conduct an international space partnership, or any other project, for that matter.

The book is well researched, and Burrough is not afraid to delve into the dark waters of NASA's bureaucracy to round out the story. He dug deep to interview many of the significant figures of the book, including the likes of astronaut Jerry Linenger, Phase One director Frank Culbertson, NASA administrator Dan Goldin, and NASA's Johnson Space Center director George Abbey. Almost no one comes off unsoiled, and yet the author treats each subject fairly. Burrough makes extensive use of American and Russian flight transcripts, and he takes care to document the stressful lives of Russian cosmonauts, who are severely overworked and underappreciated. The author's narrative and reconstructed dialogue are well written, and he always allows the story and the people, rather than commentaries, to propel the book. I think Burrough achieves a good balance in presenting the material, which must have been difficult given the myriad personalities and politics involved.

However, I was disappointed in the choppy layout of DRAGONFLY's major sections. Burrough takes a hundred pages to outline the beginnings of Phase One and its troubles from 1992 to 1997 ... the problem is, this critical background is actually Part Two, and it appears in the middle of the book, which interrupts the tumultuous events of 1997. By that point, this section does the reader little good, because we are already up to our ears in Phase One's trials and tribulations. As I was reading, I couldn't help but ask myself repeatedly, "Why am I reading this now?" Phase One's dysfunctional operation in Russia and its harried, undersupported astronauts Shannon Lucid, Bonnie Dunbar and Norm Thagard provide an ominous prologue to later events. But Burrough's failure to present these stories at the book's outset only serves to downplay their significance while disrupting the natural line of the story, and that's a shame.

Fortunately, that's the only significant criticism this book deserves from an outsider. DRAGONFLY is a landmark space history book by an author who has certainly done his legwork. Future space projects can learn a lot from Phase One's missteps, and DRAGONFLY provides a full accounting of those events. This illuminates the space business like no other account before it, and I think space history is better off because of it.

(My last comment goes to the publishers at Harper Perennial: Whoever decided to display a 1965-era photo of a Gemini spacewalker on the cover of this trade paperback set in the late 1990s ought to be fired for incompetence. I might as well write a book about the Persian Gulf War and put Audie Murphy on the cover.)

If you are looking for tragedy and a dark bloody drama then I recommend Macbeth with no reservations whatsoever. On a scale of 1-5, I fell this book deserves a 4.5. Written by the greatest literary figure of all time, Shakespeare mesmorizes the reader with suspense and irony. The Scottish Thane Macbeth is approachd by three witches who attempt and succeed at paying with his head. They tell him he will become king, which he does, alog with the aide of his ambitious wife. Macbeth's honor and integrity is destroyed with the deceit and murders he commits. As the novel progresses, Macbeth's conscience tortures him and makes him weak minded. Clearly the saying "what goes around comes around," is put to use since Macbeth's doom was similar to how he acquired his status of kingship. He kills Duncan, the king of Scottland and chops the head off the Thane of Cawdor, therefore the Thane of Fife, Macduff, does the same thing to him. I feel anyone who decides to read this extraordinary book will not be disatisfied and find himself to become an audience to Shakespearean tragedies.

Noble Macbeth and the story of his decay due to the seduction of the forces of darkness - I liked it. The play sets off with an impressing scene, the chant of the three witches, a perfect use of language, I dare say. It takes only about a page and I knew it by memory after two times reading. We used to quote it during the breaks, and actually still do so sometimes. "When shall we three meet again...and so forth. After this promising start the language gets quite hard (I'm not any native form Enland, the US or any other english speaking part of this planet). One can follow the action though and every five or six pages there's a reward for your patience, at least for anybody who likes the power Shakespeare's language is able to display in their good or best moments: "Have we eaten on the insane root?" and the likes. Of course there's also the famous "It is a tale, told by an idiot...". It's for these moments, where Williams knew how to transfere a feeling of one of his caracteres into the realm of a universal significance, that I enjoyed the play...

Shakespeare's shortest and bloodiest tragedy, MACBETH is also possibly the most serious. Macbeth is a warrior who has just had his greatest victory, but his own "vaulting ambition," the spectral promises of the three weird sisters, and the spurring on of his wife drive him to a treason and miserable destruction for which he himself is completely responsible. The ominous imagery of the fog that hovers over the first scene of the play symbolizes the entire setting of the play. Shakespeare's repeated contrasts of such concepts as fair and foul, light and darkness, bravery and cowardice, cut us to the quick at every turn. MACBETH forces us to question "what is natural?" "what is honor?" and "Is life really 'a tale/ Told by an idiot, full of sound and fury/ Signifying nothing?'" Few plays have ever illustrated the torments of Guilt (especially how it deprives one of Sleep) so vividly and stirringly.

I have read this play curiously as a child, excitedly as a teenager, passionately as a college student, and lovingly as a graduate student and adult. Like all of Shakespeare's writing, it is still as fresh, and foreboding, and marvelous as ever. As a play it is first meant to be heard (cf. Hamlet says "we shall hear a play"), secondarily to be seen (which it must be), but, ah, the rich rewards of reading it at one's own pace are hard to surpass. Shakespeare is far more than just an entertainer: he is the supreme artist of the English language. The Arden edition of MACBETH is an excellent scholarly presentation, offering a bounty of helpful notes and information for both the serious and casual reader.